LE
TEMPS
D’UN SOUPIR
Installation with two photographies, a video animation and sound.
What remains after a performative act, do we feel the narrative? Does it contain a sort of aura? Is it a relic?
The three elements that make the installation are performance remains’. They are the documentation of the trace from three perfor- mative acts. There is no more identity, just a body’s shell without head, a turned off laptop and slime. Is it strong enough to bring a new narrative? Do you also try to find a sort of night sky or an enlarged image of microscopic bacteria?
Christelle becholey besson 2018