LE
TEMPS
D’UN SOUPIR
Installation with two photographies, a video animation and sound.
What remains after a performative act, do we feel the narrative? Does it contain a sort of aura? Is it a relic?
The three elements that make the installation are performance remains’. They are the documentation of the trace from three perfor- mative acts. There is no more identity, just a body’s shell without head, a turned off laptop and slime. Is it strong enough to bring a new narrative? Do you also try to find a sort of night sky or an enlarged image of microscopic bacteria?
![](https://freight.cargo.site/t/original/i/31e027d4271571b4e6bacdc5c5bf5457a60bab3e73d3cf712dd0a6d786339ee9/trace_ordi.jpg)
![](https://freight.cargo.site/t/original/i/8745795d56590c78dab94ea3efa581ce60d74b33a490daa692d1f021cde6df4e/test_photoanzug.jpg)
![](https://freight.cargo.site/t/original/i/014d384137fa12bd54122a455d48951e44b7180819f88a8d22e295eee34609ae/tempssoupir-1-sur-1-3.jpg)
Christelle becholey besson 2018